AQS Des Moines Quilt Show (3)

There were several special exhibits displayed at the AQS QuiltWeek in Des Moines. One was The World Painters Challenge. In 1995, a group of quilters from Japan formed the Nihon Heritage Quilters Guild. They participate in an annual quilt challenge and every few years, the challenge is extended to include other nations. A list of 30 world-famous painters was chosen for 30 quilters from Japan, France and USA. Each quilter was assigned an artist and challenged to design a piece of fiber art either representing a work of their painter of making a design of their choice in the style of that painter. Here are photos of four of the quilts that particularly appealed to me. The famous painters are easily recognizable in these creative pieces.

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Benedicte Hanot from France made the Salvador Dali piece. She painted plain white fabric with acrylic paints and machine and hand appliqued a variety of textiles including leather. There is embellishment with embroidery, pearls, driftwood, sequins and machine quilting. The Vincent Van Gogh piece was made by Nancy Kibbey from OR. Her inspiration came while sketching a lawn chair which reminded her of Van Gogh’s painting of The Chair and the Pipe. She included themes from other paintings too, including The Harvest. She used cotton fabrics, both commercial and hand painted, which are fused with raw edges.

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Joan Miro’s work is represented by Ginny Steller from OR. Although much of Miro’s artwork is childlike with a sinister twist, she chose a lighter moment depicting a cat in a garden. Dark lines and solid colors define the shapes. Jae McDonald, also from OR, interpreted Gustav Klimt’s Portrait of Adele Bloch-Bauer. Jae writes, “I’ve often thought of Klimt as a very “quilterly” painter, with his peculiar use of shape, pattern and color.” This is made from hand-painted cotton and lamé, and commercial fabrics embellished with acrylic inks, fabric paints, metallic threads, gold-plated paillets , beads and wire.

AQS QuiltWeek, Des Moines Quilt Show (2)

The judged AQS show at Des Moines had almost 200 contestants. Here is the quilt that won Best Hand Workmanship. My Sweet House with Kirara, 68″ x 76″, was made by Ayako Kawakami from Chiba, Japan.

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From a distance this quilt looks complicated, but not particularly striking because of the low contrast in the values of the fabrics. However, the closer you get, the better it gets, and up close it is amazing. The details in the hand embroidery on the delicately pieced blocks, quilting, pictorial applique and embroidery embellishments are beautiful. This is an exquisitely made quilt which must have hundreds of hours of work invested in it. Here are some detailed shots.

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AQS QuiltWeek, Des Moines Quilt Show (1)

The judged AQS show at Des Moines had almost 200 contestants. Here is the quilt that won Best Original Design. It is Ewe Are My Sunshine, 63″ x 72″, by Janet Stone from Overland Park, KS. This quilt is one in a series of alphabet quilt designed and made by Janet. Her goal is to make 26 alphabet quilts and she is now over half way. Many of her previous quilts have also been major award winners and I have admired them over the years.

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Janet’s design sense and attention to details are incredible. She uses vibrant colors in this quilt, beautifully combining applique, piecing and free motion embroidery. The quilting is exquisite and all done on her home sewing machine. Each block is a little master piece. Here are some detailed shots that give you a taste, but the pictures don’t do it justice.

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AQS QuiltWeek, Des Moines, IA

Earlier this month I spent four days teaching at the AQS QuiltWeek in Des Moines, IA. These AQS events have three major components: the quilt exhibits which include a national level quilt show and several special exhibits; the booths selling every imaginable quilting gadget, machines and of course fabric and notions; and a wide offering of classes and lectures.

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Here I am at the entrance of the exhibit hall in the Iowa Events Center. The other picture shows a particularly colorful booth hosted by Fabric Therapy, a store from Fife Lake, MI. There were around 115 booths, and plenty of quilters busy shopping. Two of the classes I taught were my Template-free Kaleidoscope Puzzle Quilts and the Template-free Op-Art Kaleidoscope Quilts. Examples of work by my students are shown below.

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My class sizes were very small, but the students who came were enthusiastic and we had a very enjoyable time. It turned out that the other teachers had low sign-ups for their classes too. The excuse that we were given, was that this summer was very wet which meant that the harvest was late in IA and many quilters were on their farms still harvesting instead of attending the show. I have no way of knowing how much this accounted for the low turn-out, but suspect that other factors are involved. The industry is clearly changing and the AQS, which has been over-extending itself, will only have six national shows next year instead of eight. They are introducing a fall show in Paducah which I hope does not dilute the spring Paducah event that is so special. AQS QuiltWeeks will only have five locations instead of eight (Daytona Beach, Lancaster, Paducah, Grand Rapids and Des Moines, cutting out Chattanooga, Phoenix and Syracuse). It will be interesting to see how it all goes moving forward.

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These two quilts were in the AQS judged quilt show. Neither was an award winner but they both appealed to me. They both have a great sense of movement and the use of contrasting values make the designs look stunning. On the left is Kan Oh Chi Rai – Prediction Study of the Past by Yoshiyuki Ishizaki from Ahiya City, Japan. On the right, Pioneer Log Cabin pieced by Diane Bacon of Humbolt, IA, and long-arm quilted by Rhonda Post. Diane used a pattern from Judy Martin’s book, Extraordinary Log Cabin Quilts.

Bainbridge Island Quilt Festival 2016 (3)

Here on Bainbridge Island, we recently celebrated our 4th Annual Quilt Festival with 190 quilts hanging outdoors for the day, colorfully adorning our main street. This event is sponsored by the Bainbridge Island Modern Quilt Guild and Esther’s Fabrics. See my previous two blogs for more pictures. These two quilts were hanging next to each other and I was immediately struck by the difference it makes using a light or a dark background. The same fabrics are used in both quilts, but they are highlighted in different ways. My personal preference is for the one on the left with the white sashing. I think that this features the variety of fabrics best. The one with blue sashing is too blue for me. I always advise my students to include either white or black if they are using a monochromatic fabric selection. In this case, there is enough white in the fabric rectangles that the quilt is still successful.

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They were both made by Jo King and quilted by Sue Lohse. The one with the white sashing is called Under the Sea, and the other is Deeper Under the Sea. Jo made these quilts for her grandsons and included many underwater, sea life and boating fabrics. The quilt shown below, with black and white sashing is stunning.

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Checkers Anyone, was made by Stan Green and quilted by Krista Moser. The lovely batik fabrics are well presented with the black and white sashing keeping them separated. The colors are intensified. Without this sashing the batiks would merge and the quilt would not be nearly so rich-looking. The checkers form their own interesting pattern too and help to produce the woven effect on the quilt.

 

 

 

Bainbridge Island Quilt Festival 2016 (2)

Last week I showed some street pictures from our Bainbridge Island Quilt Festival and a couple of my favorite quilts. This event is sponsored by the Bainbridge Island Modern Quilt Guild and Esther’s Fabrics. The quilt show is open to any quilter wanting to display their quilt, but many of the quilts are submitted by members of the Modern Quilt Guild. “Modern” quilts typically have a large amounts of negative space which is often white, and they tend to lack borders. The patterns are often large, relatively simple, and in bold colors. Here are some examples of quilts that I would regard as “modern”.

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The quilt of the left, Polka Dots, is made by Tammy Abuan and quilted by Gladys Schulz. Tammy used a pattern, Raindrops, designed by Kimberly Jolly, Sarah Price and Jocelyn Ueng. The polka dot fabrics in combination with the solids make a great 3-dimensional boxy look and it is nicely done.  On the right, Kathy’s Taking Turns, was made by Kathy Loveless from the pattern Taking Turns, by Monica Solaria-Snow.

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These zig-zags make a striking statement and are made more interesting by the variety of fabrics of each color that are used. This quilt, Last But Not Least: A Quilt For My Angel, was made by Dawn Weber and quilted by Gladys Schulz. I love the quilt on the right, Double Trouble Take Two, made and designed by Katie Pedersen. Katie writes, “I created this fun quilt to show alternative layouts for my Double Trouble workshop. The technique merges traditional half-square triangles and improvisational stitch-and-flip triangles. I love the boxy effect of turning the blocks on point and mixed use of fabrics from my scrap bins. Even the little bits can be salvaged.” This seems like a great technique to try and I like the use of scraps for a fresh and contemporary look. Using five large Double Troubles and four smaller ones makes a strong visual impact which is appealing to me.

 

Bainbridge Island Quilt Festival 2016 (1)

Our 4th Annual Bainbridge Island Quilt Festival took place recently on Saturday, 10th September. This is the fourth year in a row that we have been blessed with glorious sunny weather for hanging all these quilts outdoors for the day. There were 190 quilts displayed and they made a colorful show along our main street in Winslow. We had a good attendance and the public were very appreciative. Here’s an overall view and I’ll post more pictures in the coming weeks. My Original Octangles quilt is the black, white and red one in the center of the top left picture.

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This Festival was initiated in 2013, by Barbara Kirk, owner of Esther’s Fabrics on Bainbridge Island. Barbara was inspired by the joy and beauty of the annual Sister’s Quilt Show held outdoors in Sisters, OR and wanted to put on a similar but smaller venture on Bainbridge. The Bainbridge Island Modern Quilt Guild collaborated with Esther’s Fabrics and other local businesses make this happen.

Here are two of my favorite quilts.

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On the left is Temperance, by Marybeth O’Halloran. Marybeth writes, “I am a Leo, so of course this pattern spoke to me. It is entirely paper pieced, with almost 200 individual paper pattern pieces.” The pattern is The Lion by Violet Craft. On the right is Chromatic Hex Flowers, also by Marybeth O’Halloran. “This project was done long distance with my creative friend Jenn Rhoads. She moved to New York State, and so we mailed fabric and finished blocks back and forth. This is my finished quilt from those exchanges. I modified the pattern, Hexie Garden, by Atkinson Designs.” Marybeth is an accomplished long-arm quilter on Bainbridge Island – here’s her website.

Burgoyne Surrounded

Here is a beautiful Burgoyne Surrounded quilt in red, white and blue. I recently visited the La Conner Quilt & Textile Museum and saw the latest exhibits. On the ground floor, there is a display of Colonial Revival Quilts made by members of the American Quilt Study Group. Participants create a quilt which is copied from, or inspired by an existing antique quilt.

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This example, (32” x 46”), was made by Anita Loscalzo from Dover, MA. This traditional pattern reflects historical events during the War of Independence. The British Army led by General Burgoyne was surrounded at the Battle of Saratoga which resulted in their surrender in October 1777, and convinced the French to ally themselves with the Americans. Anita used red in the large and small squares in the center of each block to symbolize the surrounded British army of redcoats. This quilt exhibit also includes several beautiful appliqué Colonial Revival quilts. On the upper two floors of the museum (where photography is not allowed), there are many exquisite hand-pieced and hand-quilted Japanese quilts made by Sachiko Yoshida and her students, utilizing antique kimonos. The display of Colonial Revival Quilts runs until the end of August, 2016 and the Japanese quilts will remain until early October, 2016.

Kitsap Quilters’ Guild Show – a small selection

My local quilt guild, Kitsap Quilters’ Guild, recently held their annual show at the Kitsap Fairgrounds in Silverdale. Last week I posted about our featured artist and this week I’m giving you a small sampling of quilt show entries that particularly appealed to me. Our annual quilt show always has a great variety of quilts, ranging from traditional to contemporary and encompassing many techniques. This year there were over 200 entries.

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On the left is Desert Knock Off pieced by Honora Dunkak and machine quilted by Marybeth O’Halloran. The quilt pattern is by Valori Wells. This quilt won first place in the Large Pieced Group category. Chromatic Hex Flowers, pieced by Marybeth O’Halloran and Jenn Rhoads and machine quilted by Marybeth was inspired by the Hexie Garden pattern by Atkinson Designs. Both of these quilts have a fresh, modern look and the colors really pop against the white backgrounds.

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Here’s another stunning quilt on a light background. Metro Scope in Kaffes, was pieced and machine quilted by Marybeth O’Halloran. The pattern is Metro Scope by Sew Kind of Wonderful. Check out the beautiful quilting especially in those oval white pieces. Marybeth works magic with her long-arm machine.

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Birds on Steroids was hand appliqued using wool and a variety of embellishments, embroidered, machine pieced and quilted by Carol Olsen. It took her over a year to complete while she was recovering from back surgery. These are such whimsical delightful birds and the attention to detail makes this a magnificent quilt.The pattern is Bird Dance by Sue Spargo. Carol is teaching a class on this at the quilt shop in Port Gamble, Quilted Strait.

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Gladys Schulz and friends made the Log Cabin blocks and Gladys assembled them and machine quilted this Log Cabin Sampler. I love the creative way that Gladys has set these Log Cabin blocks and the wonderful sampling of quilting patterns really enhances the piece.

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These last two are the quilts that I entered into the show. My Original Octangles won first place in the Innovative Art category. Heather and Jeff’s Star, made as a wedding gift, took second place in the Large Pieced Group category. Both quilts were machine quilted by Wanda Rains. More on these two in upcoming blogs.

 

 

Kitsap Quilters’ Guild show – featured artist Jaxine Anderson

My local quilt guild, Kitsap Quilters’ Guild, held their annual show this Friday and Saturday at the Kitsap Fairgrounds in Silverdale. The show featured over 200 entries from our members, and a special exhibit show casing the work of guild member Jaxine Anderson. Here’s a tour of Jaxine’s lovely display.

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Jaxine is a traditional quilter. Her work is predominantly pieced, but you’ll spy a small amount of applique too. She began quilting in 1989, after spending many prior years doing a variety of handwork. A co-worker introduced her to quilting and her first project was a wall hanging using a Debbie Mumm pattern. Then she began taking classes at a local fabric store and became hooked. After retiring from teaching elementary school, Jaxine owned a quilt shop for 10 years in Juneau, Alaska. In 2007, she sold the store and moved to Poulsbo when she became active in our guild.

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The quilt with the bars, a more contemporary design, was quilted by Marybeth O’Halloran with a different quilting design in each block. You get the gist of this wonderful quilting sampler from the detailed shot. Thank you Jaxine, for sharing your beautiful quilts.