Bainbridge Quilt Festival

The Bainbridge Island Modern Quilt Guild, a local affiliate of the National Modern Quilt Guild organizes the Bainbridge Quilt Festival. This Festival was initiated in 2013, by Barbara Kirk, owner of Esther’s Fabrics on Bainbridge Island. Barbara was inspired by the joy and beauty of the annual Sister’s Quilt Show held outdoors in Sisters, OR and wanted to put on a similar but smaller venture on Bainbridge. The Guild and several local businesses pitched in with Barbara to make the first show in 2013 a great success. I missed the show as I was away teaching in CA, but I entered two quilts. There are photos of the show on both the websites linked above.

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At our recent 4th July parade, the organizers had a booth promoting the upcoming show which will be on 13th September. The beautiful tree quilt, designed by Carolyn Friedlander and quilted by Marybeth O’Halloran, is being raffled as a fundraiser. If you are in our area, I encourage you to enter quilts and/or to come and see the array of quilts which will be hanging all over Winslow our downtown on Bainbridge. The entry fee is only $10 if you also volunteer to work at the show for just two hours. Festival day also includes a sew-in for American Hero Quilts at the Bainbridge Museum of Art. It should be a fun and festive day.

My new pad – moved and settling nicely

On the 4th of June, I moved house and I have pictures to share with you. I’m still sorting and unpacking, but every day it gets better and better. The house, which I’m renting from a friend, is only about four miles from the old place. It’s close to Wilkes Elementary School on the north end of Bainbridge Island in a sunny location with a lovely garden.

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The whole process of moving is a huge upheaval, and it certainly gives you pause to ponder especially when you need to downsize. Just how much of the stuff that you’ve accumulated, do you really want to move to a new place? If it’s been sitting in a box untouched for the last 13 years at your old house, what are the chances that you are still interested in it or that you would miss it if you no longer had it? I’ve been trying to give myself permission to let go of things that I really don’t want, but I’ve been hanging onto for years for a variety of reasons. I know that my creativity can be stifled by clutter and I’m making efforts to reduce it all. I didn’t have time to do a good job of this before moving so I’m ditching stuff as I unpack.

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I’m enjoying making my new home and putting things where I want them. I waited about two weeks before hanging any artwork on the walls and for several days I had all the pieces spread out in the living room so that I could see them, and decide where to put them. It was a kind of auditioning process, not unlike the way in which I make decisions in designing my quilts. Each day, I knew with certainty where various pictures should be hung and I gradually put them up over a period of about a week. These two Mongolian pieces made by women at the Mongolian Quilting Center, are hanging the long passage way. The blue table runner has twisted Log Cabin blocks made from silk scraps discarded by a clothing manufacturer in Ulaanbaatar. The other one, A Day in Mongolia, is felt appliqué and depicts a traditional Mongolian scene, the animals and many items important in Mongolian life and traditions.

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In my old house, I had a spacious studio. Here, it is split between three small rooms, one of which is an office. The office is great, but I haven’t had any time to quilt in the studio room. Initially I thought my sewing table was too large and that I would have to store it in the garage. I was excited when I worked out how to arrange the room so that it would fit, and by removing the bi-fold door of the cupboard, I could also fit my cutting table into the same room. The cutting table is not fully extended, but there is plenty of space for cutting and in my old studio, the end of the table was just used as a dumping ground.

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Across the passage there is another small room which I use for storage. I have a full-sized bed to store all my quilts flat, there are bookcases on two walls and my IKEA fabric storage shelves on another wall. Upstairs in the spare bedroom, I have my smaller IKEA unit for more fabric. I tried to sort my fabric when I packed and gave several boxes away to a friend whose church group makes quilts to send to Africa. The criterion I used was, “if I saw this fabric in a sale, would I buy it?” If the answer was “no”, then the fabric was put in a box to be given away. I still have too much and should really have given away all the “maybes” too. Another purge can be a project for this coming winter.

Suzani Embroidery Exhibit

Ten days ago, I was fortunate to visit the La Conner Quilt & Textile Museum where there was a stunning exhibit of Suzani embroidery from Uzbekistan. These pieces, covered with dense embroidery, are bold and colorful. They are recent acquisitions for the museum from the Miriam Wosk Family Trust. They will be displayed for one more day, so if you are in the La Conner area, get over there to see them!

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This floral example was made in the late 20th century. The word “suzani” is derived from the Persian word for needle.They are traditionally created in the western region of Central Asia, including Uzbekistan, Kazakhstan, Kryrgystan, Tajikistan, and Turkmenistan. They remind me of the beautiful embroidery I saw in Western Mongolia, the Kazakh area of the country. Natural motifs are often the theme. Here is my favorite one with lovely birds.

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This one was made in the first half of the 20th century.The suzani is both decorative and functional. Often they are created when a daughter is born as part of her dowry. Women work together and several suzanis may be presented to a groom on the girl’s wedding day.

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This maroon suzani bedspread was made in the late 20th Century. The stitching in suzanis is dense and includes chain stitch, buttonhole stitch and couching. They sometimes look as though they are woven. The larger ones are often created in smaller panels, two to six depending on the size and the design. The Kazakh pieces I saw in Mongolia were all done with chain stitch and the stitching was not so dense.

Shop Hop at Quilt Revolution, Gig Harbor, WA

Yesterday I had a long but enjoyable day at Quilt Revolution in Gig Harbor demonstrating my template-free Kaleidoscope and Bargello block techniques during the Western WA Shop Hop. This annual event excites quilters, not just from Western WA, and they drive insane distances to take in as many participating quilt shops as possible during the five days

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There are in the region of 55 quilt shops from the Canadian border down to the Oregon border, and each offers a different block for the Shop Hop quilt. Quilters receive a small baggie with the block pattern and fabric. There is a theme fabric with coordinating prints which all the shops use. Here’s the fabric and a poster which includes all the blocks from the shops.

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Then of course, the quilters have the opportunity to shop and watch demonstrations. At Quilt Revolution, they had a wonderful exhibit of Shop Hop quilts from previous years and the quilters really enjoyed reminiscing with many bemoaning that they hadn’t finished their quilts! However, this doesn’t deter them from doing the Shop Hop year after year!  There were at least eight quilts displayed and they were all made by the same quilter, Becky Curneen. The one in the picture is from 2011 and was quilted by Rose Flannigan. There were 55 participating shops in 2011 and Becky visited them all. She added one more block to make a total of 56. The blocks are 6-1/2″ and the quilt is large. The other photo shows my demo area before the doors opened. I stayed busy all day with scarcely a dull moment and it was fun.

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On the Move

Once again, I have failed to keep up with weekly blogs. I do have a good reason! Last Wednesday, I moved house and two days ago the sale of our beautiful house was completed. Now I’m getting settled at my new house, I’m planning on being more diligent about blog writing!

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We moved into this house in September 2000 and had many happy times here. It was a wonderful place to entertain and the rooms were light and airy. My studio was perfect and I was sad to pack it up and leave. I stowed all my fabric and other goodies in cardboard boxes and plastic bins.

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A few days before moving day, Ralph the cabinet maker who crafted my wonderful sewing table, came over and unscrewed the top for transportation. We had a mini crisis during the move when the guys couldn’t get the body of the table through the door. It was about an inch too large. Fortunately, Ralph was at home and came to the rescue immediately. He had to remove the feet and then it went through the door and into the moving truck. He came to my new place the next day and put it all back together.

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The most precious cargo was all my quilts. These went in my car to make the four mile journey to my new house on the north end of Bainbridge Island. As you can see, it was quite a load. The good news about all of this is that I love my new place and am making it my own. What was in my old studio is spread between three small rooms, but I think it’s going to work out nicely. I’ll give you a tour when I’ve done more unpacking.

Spring Quilt Market in Pittsburgh

Spring Quilt Market was stimulating and exciting. Downtown Pittsburgh is pleasant and the David L. Lawrence Convention Center is spacious and an ideal spot for the 500+ booths. I stayed in the Omni Penn Hotel which is a fine building and the accommodations were very comfortable. My roommate was Catherine Redford who was my host when I lectured and taught at her quilt guild in Naperville just outside Chicago a couple of years ago. It was fun to see her again and catch up with her teaching activities including TV work.

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The logistics of setting up all the booths are staggering and it’s amazing to watch it all going up during the couple of days before the exhibits open. Some of the booths are very elaborate and require all kinds of props and supportive structures. There are fork lift trucks, containers, rolls of carpet and all kinds of activity. The Schoolhouse presentations were during this time and held upstairs where there was a passage with windows overlooking the main exhibit hall. Here it is during set up.

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The Schoolhouse presentations were inspiring. I loved these colorful vibrant quilts by Barbara Persing and Mary Hoover of Fourth and Sixth Designs, all made from Island Batik Fabrics. My presentation on my template-free Kaleidoscope technique was rather late in the day, but was well attended and I was delighted to receive some very positive feedback afterwards. 

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Here’s the QuiltWoman.com booth, Nancy Dill our fearless leader with the worker bees and me at my demo spot. I spent each morning at market in the booth and then had some time in the afternoons to explore the other exhibits.

Donation quilts in TX

At the end of April, I traveled to TX to teach at the New Braunfels Area Quilt Guild. There was a beautiful sampler raffle quilt displayed at the meeting in the spring colors of blue and yellow.This was made by guild members of the Hill Country Quilt Guild of Kerrville. I love the array of different blocks both pieced and appliqued and how well they are all pulled together with the sashing in a variety of shades of blue.

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Here’s another opportunity quilt that I saw when I visited the quilt shop, One Quilt Place in Fredericksburg in the Texas Hill Country. This gorgeous Feathered Star quilt in reds, yellows and greens is completed with an exquisite appliqued border. It was an award winner at the last International Quilt Association show in Houston, taking first place in the group category. The quilt was made by members of the Vereins Quilt Guild in TX.

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I’m a softy when it comes to these quilts and I always support the guilds who make them. I’ve never won one, but I really appreciate all the effort that goes into making them. They often rise well above the average quilt made by individual guild members, not just in design, but also in workmanship. I encourage you to donate to these projects whenever you have the opportunity.

Home Stay in Puyallup

When I taught for the Crazy Quilters in Federal Way, I was fortunate to have a delightful overnight stay with one of the guild members, Eileen Peacher, in Puyallup. It’s always inspiring being with quilters and seeing their lovely quilts. Eileen has a long-arm business. Here she is in her long-arm room which was carved out of the back of her garage.

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Her home was decorated with her vibrant quilts. This large quilt with funky whimsical house blocks hung on a really tall wall in her dining room and was such a bright and cheerful accent.

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The living room was decked with this rich Bargello quilt. I love how Eileen continued some of the Bargello piecing out to the sides adding fluidity to the design rather than just simply framing it with solid borders . Hanging in the upstairs hall was this rather more muted quilt with nice color and value transitions and the light and dark thin sliver stars giving contrast with the background fabrics.

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Thank you Eileen for a very enjoyable stay and for allowing me to share your beautiful quilts.

Teaching in Federal Way

I recently taught and lectured in Federal Way for the Crazy Quilters. We had a half-day Kaleidoscope Puzzle Quilts class and my students had enough time to cut out plenty of kites and wedges and then play with their design layouts.

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There was a large hall adjacent to the classroom, so when it came to designing, some of my students moved in and spread out their pieces on the floor.

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It was so much fun seeing the patterns come alive. The value placement and fabric make such a difference and we had a great variety. The students learnt a great deal and were inspired by looking at other student’s choices and making layout suggestions. These traditional Kaleidoscope blocks can take on quite a contemporary look like this black and orange on-point example.

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