I was immediately drawn to this for its quilt like quality, especially in the jacket, shirt and tie. Look at all those Flying Geese and Shoe-fly blocks! The ability to create such an image using these is remarkable. A detailed look at the background and face reveals more piecing with triangles and pixels. I love the use of color too. It’s vibrant and inspiring. Here’s a closer shot.
In October, I spent four days in Washington DC between two teaching engagements, one in Baltimore and the other in Newark, DE. When I visited the Library of Congress Thomas Jefferson Building, first opened in 1897, I was struck by the abundance of color on the ceilings and walls, as well as the elegance of all the arches and domes. There were also patterns in mosaic on the floors. It was spectacular. I find places like this inspiring and seeing them adds to my store of experiences from which to draw when I am designing quilts. This is a place not to be missed if you have time in Washington DC. Here are some pictures.
In May, I taught in Santa Rosa at two quilt guilds and stayed in the lovely home of quilter Janet Tonkin. Several years ago, Janet purchased a Navajo hand woven rug at the Hurbell Trading Post in Ganado, AZ. The 20″ x 30″ rug was woven on a loom by Lenora Davis and the style is Two Grey Hills. Janet has it displayed on a wall in her home. This rug inspired her to design a quilt using the rug pattern as a guide. She was able to break the pattern down into squares and rectangles to piece this beautiful replica. Here are the quilt and rug side-by-side.
As you can see, Janet added red to her quilt and used grey tones rather than the browner tones in the rug. The quilt is about twice the size of the rug. Janet has it folded over the back of a grey couch in her living room where it is a pleasing addition to the decor and can be used as a large lap-quilt on cold evenings.
In early June, I was a member of the faculty at the North Carolina Quilt Symposium hosted by the Asheville Quilters’ Guild. During the Symposium, several of us went on a tour of Chihuly Nights at Biltmore, the first art exhibition in Biltmore’s historic gardens and the first garden exhibition of Chihuly’s works in North Carolina. The Biltmore House and gardens is a spectacular estate officially opened by George Vanderbilt on Christmas Eve, 1985.
We arrived in time to see the house and gardens with Chuhuly’s colorful organic glass creations in daylight and were then treated to a gorgeous sunset.
As darkness fell, the glass sculptures were illuminated and took on a a new dimension and vibrancy. Here’s a daylight and night time shot of the same installation.
The next two use the existing stone wall and statues and the exterior of the house as backdrops to display these amazing pieces. Then follows the Electric Yellow and Deep Coral Tower and the Alabaster and Amber Spire Towers.
As quilters, we don’t always know what exactly inspires us in our work. In addition be being enjoyable, taking the opportunity to look at other art forms is always beneficial and adds to our store of experiences from which to draw our ideas.
In October, I taught at the Thumb Butte Quilters’ Guild in Prescott, AZ. I stayed at the lovely home of the Programs Chair, Kathleen Bond. Kathleen has an impressive body of work including many hand applique quilts. Her fabric choices and combinations are unusual and often very busy, but she has a way of pulling them altogether to make stunning quilts. Last week, I posted pictures of two of her quilts and this week I am presenting another three.
This Serptentine 1930’s Fans quilt was made from blocks that Kathleen purchased at a Guild rummage sale. She assembled them in this striking layout and filled in the white spaces with beautiful quilting using her long-arm quilting machine. Of course, the person putting the blocks in the sale loved the finished quilt and regretted parting with them!
Pretty Rosettes, is Kathleen’s original design. The nine sunflower blocks were hand-pieced and appliqued. Once again, Kathleen has used an eclectic selection of fabrics to create this beautiful quilt. Surprisingly, the wide striped sashing and wide borders work well to display the attractive blocks.
Going Away Eagles, is a quilt made from eagle blocks appliqued by Kathleen’s friends and given to her when she moved from Colorado to Arizona. The fabric in the border is Colorado toile depicting historical Colorado scenes. I love the triangles separating the eagles in the center from the border and adding more contrast to the piece to make it alive and to highlight the toile fabric.
Kathleen’s quilts are inspiring. As well as making a strong initial visual impact, they display her attention to detail as well as fine workmanship. It was a delight to stay with her and to be privy to her work.
I saw this stunning hexagon quilt on display at a National Trust property, Lanhydrock House, in Cornwall, UK when I was there at the end of July. The house was built in the early 1700’s and then renovated in Victorian times after a bad fire. The quilt was on the bed in the nanny’s room. My guess is that it dates from the late 1800’s, judging by the Turkey red and the patterned fabrics. On the detailed shot you can see some embroidered crowns on some of the blue hexagons, so perhaps it is from even earlier. If any of you readers can date it more accurately, please write me a reply.
Someone spent hundreds of hours piecing this beautiful quilt and planned the pattern of the colors of hexagons carefully. I love the arrangement of the concentric rings of hexagons with the defining red rows. Even the areas between the red hexagon outlines are well planned in regular patterns with symmetrical spacing of the colors. This is a magnificent quilt.
In July, I spent time in Italy in the Piedmont area with friends who recently moved there from the US and we went to Tuscany together. My last night in Italy was spent at a B & B close to the airport, then I had a morning to explore Milan before flying to the UK. I caught an early bus into the city center of Milan and spent three and a half hours at the Duomo (Gothic cathedral), the Galleria and the Teatro alla Scala. What I saw was fantastic and very inspiring. The sheer scale of the Duomo was so impressing and it was majestic with its towering turrets, magnificent stone carvings and windows. The combination of angular shapes and smooth curves was fascinating, and I felt awed by the grandeur of it all. I’m sure that experiencing something like this influences me when I am designing quilts, even if it’s in a very subtle way.
I climbed up to the roof top for amazing views of the skinny turrets, flying buttresses and the surrounding city.
The Galleria was spectacular too with the arches, domed ceiling, decorated floors and fancy stores such as Gucci and Prada.
In May, when I took a road trip to Northeastern Oregon, I went on a tour of the Pendleton Woolen Mill. I’ve always admired the Pendleton products and was interested to go there to see how it’s all done. Check out this video to see the process.
The mill was founded in 1863, over 150 years ago. I was impressed by the scale and the rate of production from what is now a highly mechanized mill. The woolen fleeces are dyed, carded, roved, spun and wound onto bobbins. White yarn is also dyed into over 500 different colors. All of this takes place, before you even get into the weaving of the blankets in beautiful intricate patterns, many of which are inspired by Navajo and other Native American patterns. These designs really appeal to quilters like me and are inspriing!
The machines are huge, make a lot of noise and are incredibly fast.4.25 million pounds of raw wool is processed every year. The looms are computer programmed and automated to make these complex designs, but set up requires skilled labor and all the blankets and rugs are manually checked for flaws.
After touring the mill, I perused the “seconds” room where wonderful bargains may be found. I succumbed and bought a beautiful blue blanket which was half-price, like the ones in the stack in the photo. The only thing wrong with it was that it was made 4″ too short.
Do you set goals and resolutions for the coming year? Here’s an early twentieth century postcard on the subject from a calendar by Bishop John H Vincent, published by Chatauqua Press.
Many of us begin the year with good intentions for leading healthy and more active lives, but easily slip back into our old habits. Do you make plans for what you might like to accomplish in the coming year? How do you balance work and play?
I have a notebook in which I write down my annual work and personal goals, such as, making specific quilts, designing a new workshop, improving current workshop materials, writing quilting patterns, raising $10,000 for the Mongolian Quilting Center, negotiating a certain number of teaching jobs for the following year, continuing to write one blog per week and produce one e-newletter per month, and so on. I try to be realistic so that I’m not setting myself up for disappointment. The next job is to divide these goals into doable chunks and make lists of tasks to achieve in the next two months. This may be broken down further into weekly or even daily goals, e.g. spend 5 hours per week quilting, complete editorial work on pattern, update business accounting records etc. I derive great satisfaction from checking items off my lists once they are completed.
Towards the end of the two months, review what items aren’t checked off and think about why they didn’t get done. Write the goals for the next two months, (which may include uncompleted ones from the previous two months), and refer back to the annual goals to remind yourself of the bigger picture. It’s easy to get swamped by all the little tasks without making progress on the major goals. I lead a busy life, so I try to prioritize to make sure that the most important things are achieved and that necessary deadlines are met. This requires some discipline and determination to avoid distractions. Your priorities may change through the year and it’s OK to go back to the original goals and modify them. Some may not seem important any more, or new opportunities and goals may arise. Doing this helps me enormously, and I recommend it to you if you find this way of organizing and prioritizing your time useful. If you find that you have a lapse or simply that life gets in the way, don’t let that put you off for the rest of the year. You can start afresh in any month or on any day of the year.
In May, I visited IL and taught at the Village Quilters Guild in Lake Bluff/Lake Forest. After my workshop, one of my students took me to the Chicago Botanical Gardens. What a fabulous place on a par with other world class gardens I have visited, such as Kew in London and Kirstenbosch in Cape Town. I never quite know where my inspiration comes from for quilting, but I love flowers and it seems that in gardens and nature, the colors never clash. I think that my observations of many color combinations in these places has made me more adventurous in my choice of fabrics. It’s not only the colors, there are so many differing textures and shapes. Look at these magnificent jewel towers.
As you can see, it was a beautiful clear sunny day. The late afternoon light made the colors brilliant as well creating gorgeous shadows. Look at all the shades of green from the fresh chartreuse of the leaves on the tree, to the darker evergreen and the dusty green of jewel tower leaves. The brick wall provides a nice backdrop.
The formal Japanese gardens were immaculately manicured and the trees and shrubs were scaled to ideal proportions so that all the components fit together in perfect harmony. Then there was this lovely meadow of red and yellow poppies and all shades in between with a few white ones thrown in too. If you are in Chicago and have time to venture north a little way, I can highly recommend these gardens. We only saw about half of them in an hour and a half. You could easily spend all day there.