American Heroes Quilts

In honor of Veteran’s Day, I thought I should revisit the American Heroes Quilts project. At our Bainbridge Island Quilt Festival this September, there were several American Heroes quilts exhibited and the opportunity for show attendees to stitch quilt blocks at the Bainbridge Island Museum of Art. Our local American Heroes quilt group meets on the third Thursday of the month at Esther’s Fabrics and is open to all. You can also pick up American Hero blocks at Esther’s to make at home. (This may change as Esther’s is about to have a new owner).

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The American Heroes Quilts project was established in 2004 to provide recognition and appreciation to wounded service men and women who served in the Iraq and Afghanistan wars. The quilts are like metaphoric hugs and a way to express gratitude. There are over 800 volunteers participating in the program. As of the January 2016, over 21,500 quilts had be given to deserving service men and women and their families. The quilts are sent to Madigan Hospital at Joint Base Lewis McCord, other Warrior Transition Centers in the US, and directly to bases in Afghanistan.

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The quilts are made using red, white and blue fabrics, often with patriotic prints. Quilters seem to be generous by nature and this is one of many examples of the outreach projects in which they participate.

 

MacGregor Ranch Museum, Estes Park, CO

I spent a week on vacation in CO in June, where I stayed in Estes Park and had the good fortune to explore the surrounding area and the Rocky Mountain National Park. What a gem of a place with such natural beauty. We visited the MacGregor Ranch Museum just outside Estes Park and had a tour of the house and grounds nestled against the backdrop of spectacular rocky cliff faces in the Black Canyon Creek area.

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The MacGregor Ranch is a showplace of early life among settlers and homesteaders in the early Colorado Territory.  Founded in 1873 by Alexander and Clara MacGregor, and left in trust by their granddaughter Muriel MacGregor, the Ranch today is a working cattle ranch and a youth education center. There were a small number of quilts on display in the bedrooms and I was particularly drawn to this one made by Clara MacGregor in the early 1900’s from 1890’s fabric scraps.

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I’m sure all these fabrics have their own stories. There’s a good chance that the triangles were cut out of leftover pieces from dresses or other home made household items. Perhaps Clara’s friends gave her some of their scraps to increase the variety of fabrics in the quilt. The result is beautiful.

Amish Quilts in Shipshewana, IN

In May, I enjoyed a day in Shipshewana, IN and my two previous blog posts feature a couple of stores in that Amish town. In this blog I’m sharing more beautiful quilts that I saw during the day. These were displayed at The Lang Store adjacent to Lolly’s Fabric Store, the Little Helpers Quilt Shop and in the hallway of the building which houses Yoder Department Store and other vendors. The Amish quilters tend to make traditional pieced quilts and all of these are hand-quilted with small and even stitches. The workmanship is outstanding and if I was ever considering buying a high quality quilt with hand-quilting, Shipshewana would be a great place to go. Since I’m not in market for buying one, I simply looked and appreciated them.

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The Lone Star was particularly beautiful with gorgeous hand-quilted feathers and arcs enhancing the design. It was inspiring to see all these wonderful quilts in so many locations.

American Hero Quilts

With Veterans Day coming up next week, I thought it appropriate to write a post about the American Hero Quilts project and to share four beautiful quilts that were displayed at our Bainbridge Island quilt show in September. These quilts were made by a small group of dedicated volunteers who meet on the third Thursday of every month at Esther’s Fabrics from 7:00-9:00 p.m. Each year, this group creates 12-18 quilts, all of which are donated to wounded veterans at Madigan Army Medical Hospital and other military hospitals.

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The American Hero Quilts Organization was founded in 2004 by Sue Nebeker from Vashon Island, WA, to give recognition and appreciation to our wounded service men and women who have served in the Iraq and Afghanistan wars. Each quilt is a metaphoric hug sending a message of gratitude for their service. 11 years on, over 800 volunteers have contributed quilting hours and made donations. As of the beginning of 2015, over 17,500 quilts had been distributed to deserving men and women and their families. This is a tremendous project. Click on the link above to visit their website and see how you can help.

Duck Neck Quilt, Skagway, Alaska

I’ve just returned from my Quilt ‘N Cruise teaching excursion to Alaska and it was a fantastic trip. One of the many amazing sights was the Duck Neck Quilt displayed in the Skagway Historical Museum. This quilt, protected in a glass case (hence the reflections in the photos, which don’t do it justice), really is made from the duck neck skins of Mallard, Goldeneye, Teal, Canvasback and Pintail!

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Julie Curry, one of the other teachers on the trip, told me about it and described it to me over lunch. I just couldn’t imagine it, so of course I made a point to going to see it. My size estimate is in the 60-65″ square range. It was gifted to the museum by Jennie Olson Rasmuson, who lived in Skagway for many years and helped establish the Skagway Museum in 1961. Jennie came to Yakutat, Alaska in 1901 as a missionary for the Swedish Covenant Church where she met her husband Edward who was also a missionary and the postmaster. They lived there until 1914 and had two children.

The Rasmuson family learned the skills required for a subsistence lifestyle from their Tlingit neighbours. Elmer remembers his mother’s appreciation for the beautiful iridescent feathered skins of the ducks they hunted for dinner. She wanted to make a keepsake out of the duck neck skins to help recall the family’s times in Yakutat.

Alaska 480Jennie learnt how to preserve the feathered skins with salt, a technique the Tlingit used in making ceremonial robes and ornaments. She then painstakingly pieced the skins together and lined the quilt with peppercorns to keep the moths away. The saw-tooth trim is made of felted cloth which was sent from supporters of the mission. This piece has remained in remarkably good condition and the feathers have retained their glorious lustrous sheen. I’ve never seen anything quite like it before – check it out if you are in Skagway!

Antique Signature Quilt

At the June meeting of Kitsap Quilters Guild, our guest speaker was Susan Underwood, member of the American Quilt Study Group and co-founder of the Washington State Quilt Study Group. The American Quilt Study Group establishes and promotes the highest standards for interdisciplinary quilt-related studies, providing opportunities for study, research, and the publication of work that advance the knowledge of quilts and related subjects. Susan has researched and collected quilts since the 1980’s, with a particular interest in 19th century signature quilts and the 20th century quilts that we are likely to find on the West Coast.

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This beautiful quilt top is a spectacular example of an 1840’s signature quilt and is from Bucks County, Pennsylvania. The style is like those made by the Quakers but the names are Dutch and can be traced back to Dutch immigrants from the Dutch Reform Church. Signature quilts may be useful for genealogists especially when there are dates and blocks with the names of several family members. This quilt top traveled from Pennsylvania to Eastern Washington and Susan purchased it at the estate sale of the daughters of Mary Vanartsdalen. Mary’s signature is shown below along with the date of 1843.

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The quilt top has a great variety of turkey red fabrics including several better quality pieces from France, England and Scotland. The lower quality pieces were made in the USA where the production process was not yet as sophisticated as that used by manufacturers in Europe. The 64 red and white Turkey Tracks blocks are all signed in the center white squares, except for the final column of blocks on the left side which are blank. In this Victorian era, fancy stationary was all the rage and people used inked stamps with ornamental designs, then added signatures. They used these on fabric as well. Some examples are shown below.

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Thank you to Susan for permitting me to share this incredible quilt top.

 

OR Opportunity Quilt

This stunning raffle quilt, There’s No Place Like Home, 90″ x 90″, was hanging at the June meeting of Northwest Quilters in Portland when I lectured there. The Log Cabin is such a classic pattern and I love this star setting which is offset beautifully on the wide white border with floral applique. The Beautiful Cascading Roses applique pattern was designed by Joy Nichols. Joy, Nancy Tubbs, Gunnel Seitz and Trish Barrilleaux hand appliqued the roses. Long-arm quilter Debbie Scroggy of All Quilted did a spectacular job on the machine quilting. Several guild members pieced the blocks and helped with the completion of this gorgeous quilt.

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Raffle tickets may be purchased from Northwest Quilters members and at their 42nd Annual Quilt Show, May 6th and 7th, 2016 at the Portland Expo Center. The drawing will be on Saturday 7th May at the end of the quilt show. The proceeds go to cover room rental for community quilt project sew-ins and materials. The quilts are donated to Habitat for Humanity, Quilts of Valor and Portland Firefighter’s Toy and Joy Program (dolls and teddy bears are wrapped in quilts).

 

Northwest Quilters challenge

When I lectured at Northwest Quilters in Portland at their June meeting, there were at least 20 challenge quilts on display and members voted on their favorite. I encourage you to participate in challenges if you have the chance – it stretches your imagination and is a great opportunity for trying out techniques that you haven’t previously explored. The challenge topic provides the initial inspiration and is open for any kind of interpretation. For this challenge, each participant received a piece of fabric that had either fruits or vegetables on it. They had to use that fabric in at least five places in their quilt and the quilt had to be no larger than 24″ x 24″. Here are four examples.

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Shauna Sonoda made Nature is my Teacher (pictured on the left), this beautiful scene. She writes, “The beauty, color and serenity of Breitenbush Hot Springs has inspired me to grow both personally and professionally for over a decade. It is a place that taught me to open my heart and my mind and accept the many blessings that have flowed into my heart. I’m forever grateful!” Her fabric had beets on it. Denna Bandeen was inspired by trees swaying in the wind in December and made Dancing in the wind including the turnip fabric which she was given.

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Barbara Neill’s, A Stellar Harvest, was the winning quilt. She used many surface design methods to create this very Northwestern scene with delicious blueberries (her fabric) and a gorgeous thread-painted Stellar Jay. Design, Cut, Stitch, Create was made by Nikki Schoeffel who used her grape fabric in the Log Cabin blocks by the machine. Nikki writes, “Growing up, no one would have called me creative. Sure, I would follow a sewing or needlework pattern and I always colored neatly inside the line. But through quilting and age, I’ve found the freedom to step outside the box and experiment with color, design and new technologies.” I hope these sentiments ring true for many of you and that quilting is a freeing and inspiring activity.

Quilt Storage

I’ve just moved house to my own 1,250 square feet townhouse and I love it. The move required serious sorting and downsizing of my many possessions. I have a lovely room for my studio, but no spare bed on which to store all my quilts. The solution has been rolling the quilts on styrofoam swim noodles and storing them in a closet. This also made them easy to transport from my old house. Here they are ready for the move with one left over noodle that I used for quilts that were hanging on the wall.

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I like this system of organization as I can group the quilts into families such as Bargello block quilts, template-free Kaleidoscope quilts, Gateway to Mongolia and so on. They are easy for me to access and pack for my teaching trips. I now have them stored like this in a large closet in my studio and am about to pull several out as I prepare for a week of teaching at the AQS QuiltWeek in Paducah, KY.

 

Texas theme quilt

One of the many things that I enjoy about traveling and teaching, is staying in the homes of kind quilters who share their quilting treasures with me and are inspiring. On my trip to Texas last month, I stayed with Deborah Woolley at her lovely lake side home in Cypress on the northwest side of Houston. This quilt, Deep in the Heart of Texas, was hanging in her living room.

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Blue is my favorite color, so I was immediately drawn to the quilt and then enjoyed looking at all the details invoking Texas in the blocks. Carrol Stewart, a long-arm quilter and teacher in the Cypress area, altered a pattern by Glenda Stephens called Nowhere But Texas. Deborah pieced and assembled the quilt and Carrol quilted it. Of course there are plenty of cowboy accessories, long-horn cattle, a windmill, stars, the lovely Texas bluebonnet and the central map. Here some shots to help you catch the wonderful details that include embroidery and embellishments.

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