“Home” is a group exhibition featuring twenty-five artists from the Puget Sound Region. “Home” celebrates the opening of Olympic College’s Instructional Center and is a partnership between Olympic College, Bainbridge Island Museum of Art (BIMA) and Bainbridge Artisan Resource Network (BARN). The exhibit is in their brand new building, in the gallery, and will be there until 2nd March, 2018.
I feel honoured to be a participant. As a previous exhibitor at BIMA, I was invited to submit any works pertaining to the theme of “Home”. Interpretation of the theme could be very loose. Two quilts were selected for Olympic College, and there will be more when the exhibit moves to the larger space in BIMA in March. I offered two bed quilts, one contemporary and one traditional: every home needs at least one bed with a quilt! They chose the contemporary one shown above, Retro-Radiation, made from my original Op-Art Kaleidoscope blocks and quilted by Wanda Rains. Here’s a selection of some of the other pieces from a variety of artists. My second quilt and more of these will be posted in my blog next week. Curator, Greg Robinson, has as outstanding eye for placing different media together into a coherent and beautiful exhibit.
These are the nests. On the left, Fledged, by Kris Ekstrand in charcoal and mixed media. On the right, Nests, by Carla Grahn in hand formed and hand sewn nickel coated wire.
Here’s Bird House, by Diane Bonciolini and Gregg Mesmer of Mesolini Glass: cast, slumped and fused glass work. On the right, Out on A Limb, by Karen Hackenberg looks like a home made by bees. Karen constructed this amazing piece from wooden matchsticks, a madrona branch and scale-model figures.
Following on from last week’s blog on half-square triangles, here’s how I construct quarter-square triangles.
This is the way I construct all my half-square triangles for my quilts.
I’m re-posting my two cents’ worth on quilting pins, (first posted in May 2013), as I still have the same favorite pins and would like to recommend them to you. When I’m piecing my quilts I like to pin at intersections to help keep everything precise. I always place my pins perpendicular to the seam line. If I use narrow pins and sew slowly, my machine will run over them without any problems. I’m always cautious about telling my students that they may sew over pins. Some machines are very finicky especially if the pins are fat, or positioned at an odd angle rather than at right angles to the seam line. If in doubt, take them out just before your machine reaches them. There are a variety of choices out there. Here are some of the options.
The pins on the far left are my favorite. These are Clover Extra Fine patchwork pins. They have yellow or turquoise glass heads and a nice slender shank of 0.4 mm. They are hard to find in the stores. I buy them wholesale and have them available for my students to purchase. Please contact me if you’d like to buy some. The ones next to them are Fine (0.5 mm) and work well too. The Fine ones seem to be more readily available in the quilt stores than the Extra Fine. If you want longer pins, the flat headed flower pins, (far right), are good. The shank is narrow (0.45 mm) and the head is easy to grab. The second from the right and other similar pins, which are often called “quilting pins”, are too fat in my opinion and not appropriate for use when machine piecing. They do have their uses. When I’m auditioning fabrics on my work wall, I use them to pin the fabrics, (which are often folded several times), onto the board. Some people swear by forked pins, but these are pricey. One of my students told me that the forks bend easily. They are problematic if the forks aren’t exactly parallel and can cause puckers.
Of course, when you have pins, you need pin cushions. I have several including a Shaker one with bobbin holder, tapestry, little basket, blue-bird with green wings, a rather angular chicken, and a round felted chicken.