“Home” is a group exhibition featuring twenty-five artists from the Puget Sound Region. “Home” celebrates the opening of Olympic College’s Instructional Center and is a partnership between Olympic College, Bainbridge Island Museum of Art (BIMA) and Bainbridge Artisan Resource Network (BARN). The exhibit is in their brand new building, in the gallery, and will be there until 2nd March, 2018. I feel honoured to be a participant. As a previous exhibitor at BIMA, I was invited to submit any works pertaining to the theme of “Home”. Interpretation of the theme could be very loose. Two quilts were selected for Olympic College, and there will be more when the exhibit moves to the larger space in BIMA in March. See my blog last week for my bed quilt and additional pictures of some of the other works of art.
This wall hanging would be fun and appropriate to hang on the wall of a child’s bedroom in a home. Toto’s Garden, was made by me to be featured in a special exhibit, Quilts for the Young at Heart, at the Houston International Quilt Festival several years ago. The exhibit was sponsored by David Textiles Inc., who produced a Wizard of Oz line of fabrics and invited various quilters to use these to make Wizard of Oz themed quilts. I was invited by merit of my work teaching children to quilt and several kids made patchwork pillows and one made a lap quilt under my supervision. These all appeared, along with my offering, in the exhibit. Look closely to see the Cowardly Lion’s tail, the Scarecrow’s hat, Dorothy’s shoe, the Tin-man’s axe and the quilted tornado. This whimsical quilt was fun to make and rather atypical of my quilts which are not usually pictorial or applique. Here are some more pieces from the “Home” exhibit which captivated my interest.
On the left, Cedar Mesa Ruin, by Kay Walsh: scanned 4×5 black and white carbon pigment digital print. On the right, Home, Sweet Home, by Bill Walcott: acrylic on canvas.
On the left, On the Street Where You Live, by Max Grover: acrylic and collage on board. On the right, American Pie, by Karen Hackenberg: wood matchsticks, aluminum pan and scale-model figures.
“Home” is a group exhibition featuring twenty-five artists from the Puget Sound Region. “Home” celebrates the opening of Olympic College’s Instructional Center and is a partnership between Olympic College, Bainbridge Island Museum of Art (BIMA) and Bainbridge Artisan Resource Network (BARN). The exhibit is in their brand new building, in the gallery, and will be there until 2nd March, 2018.
I feel honoured to be a participant. As a previous exhibitor at BIMA, I was invited to submit any works pertaining to the theme of “Home”. Interpretation of the theme could be very loose. Two quilts were selected for Olympic College, and there will be more when the exhibit moves to the larger space in BIMA in March. I offered two bed quilts, one contemporary and one traditional: every home needs at least one bed with a quilt! They chose the contemporary one shown above, Retro-Radiation, made from my original Op-Art Kaleidoscope blocks and quilted by Wanda Rains. Here’s a selection of some of the other pieces from a variety of artists. My second quilt and more of these will be posted in my blog next week. Curator, Greg Robinson, has as outstanding eye for placing different media together into a coherent and beautiful exhibit.
These are the nests. On the left, Fledged, by Kris Ekstrand in charcoal and mixed media. On the right, Nests, by Carla Grahn in hand formed and hand sewn nickel coated wire.
Here’s Bird House, by Diane Bonciolini and Gregg Mesmer of Mesolini Glass: cast, slumped and fused glass work. On the right, Out on A Limb, by Karen Hackenberg looks like a home made by bees. Karen constructed this amazing piece from wooden matchsticks, a madrona branch and scale-model figures.
Following on from last week’s blog on half-square triangles, here’s how I construct quarter-square triangles.
This is the way I construct all my half-square triangles for my quilts.
I’m re-posting my two cents’ worth on quilting pins, (first posted in May 2013), as I still have the same favorite pins and would like to recommend them to you. When I’m piecing my quilts I like to pin at intersections to help keep everything precise. I always place my pins perpendicular to the seam line. If I use narrow pins and sew slowly, my machine will run over them without any problems. I’m always cautious about telling my students that they may sew over pins. Some machines are very finicky especially if the pins are fat, or positioned at an odd angle rather than at right angles to the seam line. If in doubt, take them out just before your machine reaches them. There are a variety of choices out there. Here are some of the options.
The pins on the far left are my favorite. These are Clover Extra Fine patchwork pins. They have yellow or turquoise glass heads and a nice slender shank of 0.4 mm. They are hard to find in the stores. I buy them wholesale and have them available for my students to purchase. Please contact me if you’d like to buy some. The ones next to them are Fine (0.5 mm) and work well too. The Fine ones seem to be more readily available in the quilt stores than the Extra Fine. If you want longer pins, the flat headed flower pins, (far right), are good. The shank is narrow (0.45 mm) and the head is easy to grab. The second from the right and other similar pins, which are often called “quilting pins”, are too fat in my opinion and not appropriate for use when machine piecing. They do have their uses. When I’m auditioning fabrics on my work wall, I use them to pin the fabrics, (which are often folded several times), onto the board. Some people swear by forked pins, but these are pricey. One of my students told me that the forks bend easily. They are problematic if the forks aren’t exactly parallel and can cause puckers.
Of course, when you have pins, you need pin cushions. I have several including a Shaker one with bobbin holder, tapestry, little basket, blue-bird with green wings, a rather angular chicken, and a round felted chicken.
Merry Christmas and a Happy New Year!
Wishing you all the best for this festive season and the new year to come!
Image made from a photograph of Christmas greens using Kaleidoscope Kreator computer software. (Fun and rather addictive!).
In October, I taught at the Thumb Butte Quilters’ Guild in Prescott, AZ. I stayed at the lovely home of the Programs Chair, Kathleen Bond. Kathleen has an impressive body of work including many hand applique quilts. Her fabric choices and combinations are unusual and often very busy, but she has a way of pulling them altogether to make stunning quilts. I’ve already written two posts highlighting some of Kathleen’s quilts. This post shows a couple of her imaginative quilt backs. Many of us have been tempted to purchase pre-printed fabrics for making stuffed animals, dolls or Christmas ornaments. Here’s a way to use up those fabrics to make your quilt backs more interesting. I love the striped binding too.
On the first weekend in December, we hosted a booth at Christmas in the Country, (a craft fair with several locations), at St. Barnabas Church, Bainbridge Island, to raise funds for the Mongolian Quilting Center. All the products were made by Mongolian women. As you can see, it was a colorful and inviting booth. I’m happy to report that we were very successful and raised $3,315.
St. Barnabas Church is our generous host for the Mongolian Quilting Center non-profit in USA. They donate the book keeping costs, which means that 100% of the funds generated from the sale of products and donations, is sent to Mongolia to assist with the running costs of the Mongolian Quilting Center. The Center employs as many as 40 women who would be otherwise unemployed. Many of these women are disabled, or are care-givers for other family members young and old. For a variety of reasons they are unable to work at a regular job, so having the opportunity to do piece-work for the Quilting Center makes a huge difference to their quality of life. The Center also employs five part-time teachers, two designers, a manager, an accountant, three seamstresses and the Director, Selenge Tserendash.
We sold many wonderful products such as patchwork horses, camels and goats made from scraps of cashmere and silk from the garment industry, felted slippers, hand-stitched animal ornaments, beautiful decorative silk table runners and wall hangings, as well as a variety of bags.The ger (yurt) grocery sacks were popular. These light weight, sturdy bags fold up and are zipped inside the ger. They are easy to carry in a purse, so that you always have an extra bag at the ready. So many of us keep bags in our cars and forget to take them into the store with us! Here’s an easy solution. They come in a variety of colors.
I’m so impressed with how Selenge Tserendash and the Mongolian women at the Center continue to develop new, high quality products. They are extremely creative and excellent seamstresses. Read more about this project on my website.
In October, I taught at the Thumb Butte Quilters’ Guild in Prescott, AZ. I stayed at the lovely home of the Programs Chair, Kathleen Bond. Kathleen has an impressive body of work including many hand applique quilts. Her fabric choices and combinations are unusual and often very busy, but she has a way of pulling them altogether to make stunning quilts. Last week, I posted pictures of two of her quilts and this week I am presenting another three.
This Serptentine 1930’s Fans quilt was made from blocks that Kathleen purchased at a Guild rummage sale. She assembled them in this striking layout and filled in the white spaces with beautiful quilting using her long-arm quilting machine. Of course, the person putting the blocks in the sale loved the finished quilt and regretted parting with them!
Pretty Rosettes, is Kathleen’s original design. The nine sunflower blocks were hand-pieced and appliqued. Once again, Kathleen has used an eclectic selection of fabrics to create this beautiful quilt. Surprisingly, the wide striped sashing and wide borders work well to display the attractive blocks.
Going Away Eagles, is a quilt made from eagle blocks appliqued by Kathleen’s friends and given to her when she moved from Colorado to Arizona. The fabric in the border is Colorado toile depicting historical Colorado scenes. I love the triangles separating the eagles in the center from the border and adding more contrast to the piece to make it alive and to highlight the toile fabric.
Kathleen’s quilts are inspiring. As well as making a strong initial visual impact, they display her attention to detail as well as fine workmanship. It was a delight to stay with her and to be privy to her work.