Home Stay in Puyallup

When I taught for the Crazy Quilters in Federal Way, I was fortunate to have a delightful overnight stay with one of the guild members, Eileen Peacher, in Puyallup. It’s always inspiring being with quilters and seeing their lovely quilts. Eileen has a long-arm business. Here she is in her long-arm room which was carved out of the back of her garage.

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Her home was decorated with her vibrant quilts. This large quilt with funky whimsical house blocks hung on a really tall wall in her dining room and was such a bright and cheerful accent.

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The living room was decked with this rich Bargello quilt. I love how Eileen continued some of the Bargello piecing out to the sides adding fluidity to the design rather than just simply framing it with solid borders . Hanging in the upstairs hall was this rather more muted quilt with nice color and value transitions and the light and dark thin sliver stars giving contrast with the background fabrics.

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Thank you Eileen for a very enjoyable stay and for allowing me to share your beautiful quilts.

Teaching in Federal Way

I recently taught and lectured in Federal Way for the Crazy Quilters. We had a half-day Kaleidoscope Puzzle Quilts class and my students had enough time to cut out plenty of kites and wedges and then play with their design layouts.

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There was a large hall adjacent to the classroom, so when it came to designing, some of my students moved in and spread out their pieces on the floor.

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It was so much fun seeing the patterns come alive. The value placement and fabric make such a difference and we had a great variety. The students learnt a great deal and were inspired by looking at other student’s choices and making layout suggestions. These traditional Kaleidoscope blocks can take on quite a contemporary look like this black and orange on-point example.

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Decorating with quilts on beds

In my last blog I shared some wall quilts that are displayed in my house for staging for sale. Here are pictures showing the quilts that I put on the beds. The first ones show the spare bedroom with my  Kaleidoscope quilt. Large Hadron Colliderscope was made using my template-free kaleidoscope method. I enlarged the pattern to make this 36 block quilt and had fun designing the layout.

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The master bedroom is graced with Trip Around the Garden. This quilt is featured in my book, Traditional Quilts with a Twist. I made several quilts based on the Trip-Around-the-World theme, plugging pieced blocks into the the traditional layout of squares to reproduce the on-point patterns of color. This one was made from simple 6″ blocks – 9-patch, Bowtie, Sawtooth Star, Shoofly and Ohio Star separated with the floral sashing. I used a different cornerstones in the sashing to carry the colors through and help the overall design.

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In my son’s bedroom, I went with Retro-Radiation, a quilt made from my template-free Op-Art Kaleidoscope blocks. There are 16 blocks made from assorted black and white fabrics with red and yellow added to the mix. As you can tell, I like piano keys borders!

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Spring Table Runner

I am writing this on the most beautiful sunny day. The colors are saturated and the daffodils are opening up. Here’s a couple of pictures taken in 2011 in the Skagit Valley near the La Conner Quilt Museum where they grow fields and fields of daffodils and they are so pretty at this time of year.

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I love the feel of spring with everything bursting open and the richness of the colors, as well as the warmth of the sun after winter. In the last few days the cherry blossom has opened up – a lovely pink. Here’s my spring table runner inspired by the spring flowers and made from 12 of my Bargello blocks as featured in my book Bargello Quilts with a Twist.

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Kitsap Quilters Guild Mystery Quilt

At our recent Kitsap Quilters Guild show there was a display of mystery quilts. One of our members, Jaxine Anderson coordinated the Judy Hopkins mystery project. The instructions were provided in our monthly newsletter over a period of a few months. What’s fun is the great variety of colorful quilts generated. It’s inspiring to see the results from the different choices of fabrics when everyone used the same pattern. Here are ten examples:

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These quilts were made by guild members Nancy Cave, Jaxine Anderson, Jan King, Andrea Rudman, Charlie Peterson, Sherry Loomis, Keitha Unger, Linda Melcher, Nancy Parrott and MaryAnn Hooker. What a difference the background value makes as well as the use of busy prints versus more solid looking fabrics.

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A special exhibit I particularly enjoyed, was In the American Tradition. This is an annual exhibit which seeks to honor the country’s rich quiltmaking heritage. All the quilts displayed are clearly based on a documented 20th century or earlier American design or pattern. These wonderful traditional patterns have stood the test of time and are still absolutely beautiful. I find myself returning to them again and again, especially the star patterns. Here’s a selection.

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A gorgeous Lone Star, Texas Gold by Vickie Owen from Texas,was made using a pattern reproduced from an antique quilt in an old quilt magazine. The navy and black in combination with the cheddar orange makes this star striking.

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Feathers and Stars Abound by Zvia Strahilevitz-Klein from Israel is lovely combination of stars in such pretty soft colors. Her design source was Judy Rothermel’s Ohio Star Medallion quilt and Marsha McCloskey’s Feathered Stars. She resized the blocks and center Feathered Star to fit into this medallion.

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Last Summer’s Leftovers is a beautiful hand-quilted scrappy quilt made by Rahna Summerlin from Florida. The design source is a Railroad Crossing quilt in Sharon Newman’s Treasures from Yesteryear Book 2. Rahna writes, “I am constantly inspired by antique quilts and am infatuated with scrap quilts from the early mid 1900’s.” This quilt was made with leftover triangles from a prior project.

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Grandmother Eulah’s Flower Garden was hand pieced by Nancy Davis-Altman from Washington and machine quilted by Lin Clark. Nancy’s grandmother, Eulah Davis was her inspiration. She gave Nancy a quilt for a wedding present and it was always a favorite. Nancy’s grandfather used to call Eulah his “Little Petunia”, so the Grandmothers Flower Garden seemed a fitting pattern for this quilt made to honor her.

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Connecticut comes to Spring made by Minay Sirois of Spring, Texas is amazing in its simplicity and beauty. The design source is Chinz One Patch (c1820-1840) made by the Hollister Family of Washington, Connecticut. Minay saw a picture of this quilt in the book Quilts and Quiltmakers: Covering Connecticut. What makes this simple one-patch quilt with sashing so stunning is the fabric choices. It took Minay seven years to find just the right fabrics to recreate the effect. It is very successful and an absolutely gorgeous hand quilted quilt.

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Over the years I’ve admired the work of Libby Lehman and was excited when she visited my local quilt guild to lecture and teach a workshop a few years ago. Libby is known for her exuberant colorful quilts and her brilliant use of thread in a playful way that adds an additional dimension to her work. She has traveled all over the world inspiring quilters with her creativity and good humor. Unfortunately, Libby suffered an aneurysm about six months ago which burst in her brain. She had two major surgeries followed by a stroke and is now residing in a senior retirement center. Her contribution to the quilting world was honored in a special exhibit.

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Here’s a large white board, a We Miss You sign, where quilt show attendees could write messages for Libby and send their get well wishes. The quilt on the right is one of Libby’s well-known pieces made in 1994, Tidewaters. Below are examples of her recent work from 2012.

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Watch Your Step: Fall and Watch Your Step II: Mushrooms

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Watch Your Step V: Back Porch – full and detailed shots.

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Here’s Libby’s humorous self-portrait, also from 2012. To see more examples of Libby’s work, check out her website.

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Every year Hoffman Fabrics organizes a challenge with a theme fabric. Contestants make small quilts or dolls using the fabric in any way they like as long as it is recognizable. It’s always fun to see the creativity and the different ways people are inspired by the theme fabric. The fabric is shown on the edge of the sign. Here’s the doll collection too.

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I love the variety of interpretations as shown by the examples below. The Hoffman Challenge exhibit travels extensively and you can make arrangements with Hoffman to display their quilts at your local quilt show.

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Willow II by Gayle Shelton, TX is a beautiful tree nicely set with loops around the outer edge of the quilt. Hexifun by Shirlee Carter, FL is a mini One-block Wonder – such pretty hexagons created from the theme fabric and the attractive addition of ribbon around the edges.

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Paradise Cove by Benita Goodheart, OR, was awarded Best First Time Entry Applique. It reminds of a Vincent van Gogh impressionistic painting. The King and I by Anna Macaluso, NJ won First Place Mixed. The king’s face was beautifully shaded and quilted creating great perspective. It was stunning.

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The Roswells from the Planet Quiltron by Alice Zimmerman, NY, made me laugh. It was such a different take on the fabric and pure fun. Ribbon Candy by Cyndi McChesney, CO was beautifully executed. Cyndi’s color gradations in the Twisted Log Cabin blocks give the quilt depth and a wonderful three dimensional quality.

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The IQA judged show was a feast for the eyes with so many wonderful quilts. The award winners were not announced until after Market, but all the quilts were on display. It’s hard to select my highlights, but here are a variety that particularly appealed to me.

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These two quilts are both original designs, hand appliqued and hand quilted and the workmanship is outstanding. On the left is Crest of Tulip, by Takido Fusako, Japan. Takido writes, “A spring flower, the tulip blooms proudly towards the sky. We can get energy from it as it flutters in the wind. I made the tulip like a crest in the oval using trapunto.” Linda Roy, TN made Primitive Web. I’ve enjoyed seeing Linda’s beautiful award-winning work over the years since were were both beginning quilters when we lived in Arkansas and were taught to applique by Irma Gail Hatcher. The design for this quilt was inspired by an antique all-hexagon quilt. The feathers are embroidered and the stuffed Yo-yos in the flowers add dimension.

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These two hexagon quilts are both hand pieced using the English paper-piecing method and are both machine quilted. They are awesome. Roo Garden was made by Vicki Bohnhoft, AZ. Vicki writes, “Returning to Australia in 2009, I began collecting Australian Aboriginal fabrics. On our cruise, I became addicted to 3/4″ hexagons, eventually making over 5,000. This contemporary Grandmother’s Flower Garden was designed in five weeks using 4,125 pieces depicting a running kangaroo, rays of dawn and flowers everywhere.” Together in a Friendship World was made by Geta Grama and Quilt.Ro Group, Rasnov, Brasnov, Romania. I was blown away when I saw this hexagon globe and returned to the quilt several times to look in more detail. I think the 3-d effect is amazing.

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I love star quilts and the Feathered Star is a favorite. This gorgeous quilt, Celebration of Feathered Stars & Wildflowers, was a collaboration by 22 members of the Veriens Quilt Guild, Frederickson, TX and is their 2014 raffle quilt. Helen Rode, Jan Graetzel, Joanie Wyall and Colleen Zabrenick masterminded and coordinated the project and the design was inspired by an antique quilt.

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Here’s another absolutely gorgeous Feathered Star with Prairie Points in all the feathers and embellished with thousands of Swarovski pearls. A Truly Feathered Star was made by Karen Sivert, NC. Karen writes, ” I believe quilt making is a journey, one that teaches us much. Sometimes we take detours, hit bumps in the road, even construction zones! The trapunto beading and Prairie Points all lend dimension to the quilt, but to achieve them, I had to learn new ways to get to my destination.”

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The picture doesn’t do Jack by Sandy Curran, VA, justice. Sandy concentrates her work on the emotion and expression in eyes, both human and animal. Jack Nicholson has such expressive eyes and this quilt was extraordinary in the likeness and the 3-d effect. I just loved these two parrots, Ricky and Lucy, by Nancy Sterrett Martin and Karen Sistek, KY. They are painted on silk and brought to life with the quilting stitches. The design is based on a various photos of macaws and parrots.

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One of the many exhibits I enjoyed was the Modern Quilt Guild Showcase 2013. This fresh approach to quilting using sold colors often on a background of white, is popular, often appealing to younger quilters who want to make more contemporary looking quilts. Here’s a sampling from the exhibit in which members from chapters of Modern Quilt Guilds around the world were invited to submit their works.

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Bull’s Eye 1 by Colleen Wootton of WA, is digitally printed and machine quilted. Colleen was inspired by Frank Stella and Ellsworth Kelley. She has used geometric shapes in designing two and three dimensional works for corporate America for almost 50 years and became adept at drawing these using the computer.

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Fireworks Quilt was designed and made by Tara Faughman, CA. Tara writes, “I was working with the idea of broken lines for this quilt, playing with the interaction of spaces where the quilt blocks come together,” This is an explosive lively design which I love.

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This grey-tone quilt made by Leslie Tucker Jenison, TX, is named Fifty Shades of Groovy for a little dot on the map of the cultural zeitgeist. Leslie improvised the Log Cabin piecing technique and was inspired by her love of dots and greys. The large print on the back of the quilt is awesome – I wonder where she found that fabric!

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On the left, Sparkler, by Lee Heinrich, WI, and quilted by Jeny Pedigo is a modern interpretation of the tessellating Pudding and Pie block. The solids on the white background give it a new look and the color transition is pleasing. Rhythm and Blues by Anne Deister, CO, makes me think of the view of sky scrapers through blinds, but Anne was inspired by studying design elements in woven interior decorating fabrics. She writes, “I was interested in the interweave of colors that occur with the strong horizontal format of the weave. As the idea progressed, I became more intrigued with the vertical movement that could be created as different groups of lines interact with each other. The quilt morphed into a digital representation of the sound bars on digital recording equipment and Rhythm and Blues was born.” The graphical qualities of this quilt really appeal to me and of course the blue, which is my favorite color.